Issues of concern to people who live in the west: property rights, water rights, endangered species, livestock grazing, energy production, wilderness and western agriculture. Plus a few items on western history, western literature and the sport of rodeo... Frank DuBois served as the NM Secretary of Agriculture from 1988 to 2003. DuBois is a former legislative assistant to a U.S. Senator, a Deputy Assistant Secretary of Interior, and is the founder of the DuBois Rodeo Scholarship.
Friday, August 12, 2016
‘Hell or High Water’ vividly taps into today’s troubled times
“Hell or High Water” is a great genre picture: film noir cannily combined with a Western, but with a modern-day setting.
Tapping into a genuine feeling of desperation and decline, and the fear of a bleak, unpromising future, the movie takes place in hardscrabble Texas after the economic crash, where things will never be the same again. Everyone is poor, everything is closing up, people are selling out and moving on.
Chris Pine and Ben Foster star as the Howard brothers, Toby and Tanner. Tanner (Foster) is a loose cannon, having spent a large portion of his life in prison, while Toby (Pine) has an ex-wife and two sons and a lot of unpaid alimony.
The brothers owe the bank thousands on their family ranch, and it will soon be foreclosed upon. So they come up with a plan: They will rob just enough to pay their mortgage and taxes. They’ll take just the cash in the teller’s drawers, rather than the traceable money from the vaults.
Meanwhile, Texas Ranger Marcus Hamilton (Jeff Bridges, in a great performance that recalls his Rooster Cogburn in “True Grit”) — just days away from retirement — takes the case, accompanied by his stalwart half-Indian, half-Mexican (and Catholic) partner, Alberto (Gil Birmingham).
The screenplay is by sometime actor Taylor Sheridan, who wrote one of last year’s smartest and best films, “Sicario,” and seems to have a bright future at the keyboard.
Australian director David Mackenzie has spent his career making strange, sometimes uncomfortable, envelope-pushing films. His last, “Starred Up,” was his best to date, and now he has topped it.
Together, Sheridan and Mackenzie have made the kind of beautiful crime drama that punches up a lackluster movie year, as “Blood Simple” and “One False Move” once did.
Yet it goes deeper, like a Jim Thompson novel, asking questions about why these people have done what they’ve done, and how they feel about it; it’s not about the thing itself...more